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Go to the Rose Polenzani Website! >>

The youngest of four children, Rose Polenzani was born into a midwestern family that valued music above all things. The prize of the household was an ornate baby grand piano...it was no mistake that the children grew up to have music as a major part of their lives (Rose's brother Matthew sings with the Metropolitan Opera). In 1995, Rose left school so she could concentrate on songwriting, immersing herself for two years in the Chicago open-mic scene and a hand -me-down four-track machine. She was a local girl until 1997.

Her first tour took her to the Northeast in November of 1997. Within 7 months, she would be invited to play the Newport Folk Festival and winning a slot in the 1998 summer Lilith Fair. Balanced on the brink of 60's folk literacy and modern adult alternative, Rose has been able to straddle the largely streamlined music scene, opening for acts such as David Gray, Kristin Hersh, and Vic Chestnutt, as natural in a rock club as a coffeehouse. Despite her attention to lyrics, it's her voice that captures an audience and brings them to a hush, as the Minneapolis City Pages put forth: "[Rose's] ever-shifty and never precious vocal presence must have been long cultivated to arrive in public so fully formed."

Press Quotes:

"In their psychic intensity, Polenzani's compositions sometimes evoke the spirit of the late Velvet Underground chanteuse Nico, albeit without that singers icy aloofness. Indeed, Polenzani's breathy, tremulous voice has a beckoning power more akin to that of a child ghost in a graveyard."
--Request Magazine

"Somewhere in-between the raw emotion of singer Patty Griffin and the poetry of Anne Sexton, you'll find Rose Polenzani."
--Utne Reader

"One of the best songwriters around...Rose Polenzani actually has a chance to pick up the Mitchell mantle."
--BUST Magazine

"[Rose has] an otherworldly quality that transcends musical categories, much like Rickie Lee Jones's early work. Anybody has me searching for Polenzani's self-released 1998 debut, Dragersville."
--CMJ

 


   
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Rose Polenzani - August
This 2004 self-release is a collection of intimate, misfit home records.


   


   
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Rose Polenzani - s/t
The new self-titled release is Rose's second record on Daemon, the follow up to her critically acclaimed 1999 release "Anybody". It is her first full-length studio effort of all new material. Anybody was a compilation of early demos and homemade four track recordings. Rose's s/t shows growth and expansion, using instrumentation to the songs fullest advantage. While it features Rose's first band material, it is not without some signature acoustic moments.

Fell
Mary Lee
   


   
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Rose Polenzani - Anybody
Anybody is a collection of her earlier home & studio recordings, compiled by Amy Ray and Rose. Rykodisc recording artist Andrew Bird makes an appearance with his searing violin on "Molly's Lily," and epic tale of family debt, poison meadows, and the devil; and on "Abalin," a ghostly love story. The Indigo Girls bring close, beautiful harmonies to "Or," a song of separation. "Look No Hands" highlights the intimate, experimental style of Rose's home recordings and writings, which often bend the ears of gender and sexuality, as on "Olga's Birthday" and "Perihelion."

(stream the entire record...)
   



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Rose Polenzani - Dragersville
Dragersville is a self produced collection of 11 original songs released in 1998. This is the release that got Ms. Polenzani signed to Daemon. A few of the tracks are on her Daemon release, Anybody, but worth the price just for the first song. Beautiful!

(stream the entire record...)
   


   


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